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Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.陌陌影视陌陌影视真假学园6日冕之恋陆小凤传奇之绣花大盗1978国语月读君的禁忌夜宵中国神探大清药王奥德布鲁赫九岁人生印度版猛鬼街1993麦田卧鱼淘气包马小跳三次为定新五女拜寿戏说台湾之双生鲤魚王鲜生史 第二季天涯芬芳朋友之间2015多样的儿媳血战铜锣湾2德云社孔云龙章九徕相声专场南京站女猫辣妹刺客 剧版山林中头一个女人病尉迟孙立汪汪队立大功 第五季那个人在想什么事情
Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.陌陌影视陌陌影视真假学园6日冕之恋陆小凤传奇之绣花大盗1978国语月读君的禁忌夜宵中国神探大清药王奥德布鲁赫九岁人生印度版猛鬼街1993麦田卧鱼淘气包马小跳三次为定新五女拜寿戏说台湾之双生鲤魚王鲜生史 第二季天涯芬芳朋友之间2015多样的儿媳血战铜锣湾2德云社孔云龙章九徕相声专场南京站女猫辣妹刺客 剧版山林中头一个女人病尉迟孙立汪汪队立大功 第五季那个人在想什么事情
#BerlinaleForum 78/100 比利时纪录片Petit Samedi是导演Paloma Sermon-Dai的第一部长片，在一个小时十五分的时间里把镜头对向了一位43岁的男性戒毒者与他的母亲，以及他们生活的那个比利时小村庄。关于亲情的故事，如果讲的真诚，是永远能够打动人的。片子温柔的暖色调，镜头捕捉的日常对话以及这些对话里的小趣味，都让人想起观看《四个春天》时的感动，那段堪比 “回收旧彩电，冰箱，空调，洗衣机，热水器“的比利时版吆喝更是神来之笔。在较短的篇幅里做到了真诚，趣味，和层次，是一次令人愉悦且可以回味的情感体验。
最初没留意 居然是一部记录片. 整体上偏沉闷 上了年纪的母子关系啊...
#BerlinaleForum
作为一部纪录片，有这么多正反打，观感上比较模糊，对于人物和事件也有点难以进入。
一般般
台译《妈宝的憂鬱》真的满贴切
两位主角都是谜一样的存在，即便交代了角色家庭前史也无助于对他们产生情感乃至共情。明明是纪录片却产生了伪纪录片那样不真实的间离，只能说创作者的表达完全没有落地，充满了没有说服力的想当然。
一旦谈到人生，没有人不哀戚的。
看睡着了。。。。。
去掉导演充满爱意的温柔滤镜，从旁观者的角度上看，这样的溺爱关系或许会有些可怕，但管它呢，他们开心就好。但在导演与被摄者关系这么亲密的情况下，镜头距离还要拉那么远就显得有些刻意了。