荣耀六十年1938

荣耀六十年1938电影免费高清在线观看全集。
　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor黑百合小区兄弟们2018走进韩国大师燃烧的婚纱寄宿学校工具箱杀手2004巨齿鲨2：深渊 普通话版双面劫匪国语战疫2020之我是医生爱火游戏TOKYOMER～移动的急救室～电影版希望城市巅峰拍档第二十二季幸福的时光劫匪初来乍到 第一季金银潭实拍80天正义联盟与红白黑黄：超级英雄和猎人（上）罪案现场实录 第四季写信者是何人寻找格蕾丝火车上的女孩2021犯罪心理：嫌疑犯行为第一季哈哈哈哈哈 第二季主厨是名侦探胭脂错冬脊第86届奥斯卡颁奖典礼父委会甜心软糖爱在记忆消逝前樵夫故事爱在初心广告狂人第四季发射倒计时：灵感4号平民太空任务世界奇妙物语2020秋季特别篇原子空想摇篮曲2022西班牙天使与魔鬼幸存者：血浓于水第二十七季美凤有约给我自由地下黑拳