量子
缺集或无法播，更换其他线路.无尽
缺集或无法播，更换其他线路.非凡
缺集或无法播，更换其他线路.剧照
剧情介绍
凯歌与挽歌电影免费高清在线观看全集。
Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.没关系，爸爸的女儿李大本事神枪手2004爱丽斯梦游仙境1976消失的痕迹2023关于我被绑架到大小姐学校当庶民样本这件事超时空救援黑色特警手机附身2022回家路上利箭行动睡美人之终越狱 第四季唐人街探案2TARIO复仇代理的2人1917恋途未卜动画少年烦恼研究所第80届奥斯卡颁奖典礼芳心何处南多·福多尔和会说话的猫鼬浪子回头妙事多幽灵樟宜感官游戏驯鹿宝宝第一季风云际会阿涅斯的海滩轮到你了剧场版高空孤独的美食家第四季 盛夏的博多・出差SP金山上的树叶游戏人生我是谁2015我们的故事之沉默的年代东京攻略（国语版）黎明将逝神探加吉特国语魔弦传说十二罗汉天衣无缝一千零一种病毒32秒
Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.没关系，爸爸的女儿李大本事神枪手2004爱丽斯梦游仙境1976消失的痕迹2023关于我被绑架到大小姐学校当庶民样本这件事超时空救援黑色特警手机附身2022回家路上利箭行动睡美人之终越狱 第四季唐人街探案2TARIO复仇代理的2人1917恋途未卜动画少年烦恼研究所第80届奥斯卡颁奖典礼芳心何处南多·福多尔和会说话的猫鼬浪子回头妙事多幽灵樟宜感官游戏驯鹿宝宝第一季风云际会阿涅斯的海滩轮到你了剧场版高空孤独的美食家第四季 盛夏的博多・出差SP金山上的树叶游戏人生我是谁2015我们的故事之沉默的年代东京攻略（国语版）黎明将逝神探加吉特国语魔弦传说十二罗汉天衣无缝一千零一种病毒32秒
长篇影评
1 ) 今晚BBC对肯特里奇的访谈
"follow the less good idea; of course you start a rehearsal from something specific ; a music ; a choreography; but then on the edge of the carefully rehearsed, emerges something like a sparkle; an improvisation at the end of the choreography; you realise that the peripheral can be central. There's something political here, the big ideas, communism, capitalism, end of history, there is catastrophe lurking in big certainties. it's on the edge of those certainties that something organic might flourish. " (凭记忆，大意）。
太短了！肯特里奇在绘画、舞台、音乐以及表演，都太有品味了，更厉害的是对历史和城市记忆的关注……中国艺术家差太多。
Wunderbar!
Kentridge真的让人不服不行，政治议题上的深刻与形式集大成的复合有机的程度实在太高，他在影片里有句说的好“我的工作室就像全世界”，各种图像音乐素材为他所驾驭，至少在音乐元素的混合生成上是我觉得目前最厉害的，对各个形式的语言的认识和控制力太猛，全才，综合性大师。
立体的艺术家
创作部分介绍得较少，主要作纪录用
give and forgive 项目总监因为一次醒悟为肯德里奇这个项目跑了10年，真不容易最后还是非常震撼，依然还是用柏拉图洞穴之喻，里面女歌手很霸气
同行的观众觉得他“让罗马活起来”。不知道。感觉这个纪录片从一开始就把肯特里奇作为一个具体的“城市空间设计师”来讲，一开始就从功能性公共艺术来讲，基本上也是丢掉了肯特里奇的优势特征了。