镜子的另一面:纽波特民歌艺术节1963~1965综艺免费高清在线观看全集。
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
我的一生2020蝙蝠侠大战超人:正义黎明毒枭:墨西哥第二季无罪者巨蛇闯女校林肯律师 第一季战火威龙时空救援之明月危机有关时间旅行的热门问题在这块土地上我爱唐人街粤语版惊恐死神关于莉莉周的一切总裁夫人惹不起硅谷 第五季骇故事之无罪日王子的圈套马路骑士嫦娥奔月森林边缘的寂寞GOING SEVENTEEN2017宝可梦 旅途街头战士(国语版)一路朝阳喜羊羊与灰太狼之勇闯四季城烈士巷楼主第一季吃货达人打卡吧雨季来临桃花期2010血之猎手克拉克森的农场 第一季追风行动失心病狂麒麟特战队之机甲核心父亲的战争飞天蜈蚣周末天堂岛疑云 第三季恐怖故事2好好聊天假装不正经贾姆塔拉:骗你没商量第二季完全陌生2016荒村客栈
He's got to get an acoustic guitar.
时代。
we love you too
不需要更多表达,影像本事就在讲故事It's all over now, baby blue
大幕拉开,cute Baez
第一遍: 没有《Don't Look Back》好。没能看到迪伦的heart and soul。第二遍: 清晰呈现迪伦在这三年中音乐上的历程,以及当时年轻人的反应。革命在革命的年代,也不一定能被认出来。迪伦坚持了自己,多厉害。
这张非常好,63-64是鲍勃迪伦民谣王子的形象,从65年的《像一块滚石》开始,鲍勃迪伦成为超级明星。65年新港音乐节上的排山倒海的嘘声,可反射鲍勃迪伦打破镜像的压力和决心。美国的超级明星有自省意识,中国没有超级明星。
bob 最牛逼的时期了吧~~65年那次插电现在听起来还不算太糟,感谢后来诸多牛逼乐队改变了人们对摇滚的看法~~~bob若是没有坚持己见被他人左右那就是对自己最大的sellout
好几次都让俺内牛满面
Newport也好,民谣也好,一直不是只有Dylan一人。
b站
u r the other side of my soul
很珍贵的影像资料,正在读老美国志异作为补充材料是再合适不过的。
蓝光修复
那个年代充满了我想要的一切
Dylan 和 Joan一起合唱真的太美了。Golden age
太棒了
哭哭
眼见他起高楼(63),眼见他宴宾客(64),眼见他楼拆了(65)。“宴宾客”,与Pete Seeger、Joan Baez、The Freedom Singers和Peter, Paul & Mary同台演绎Blowin'in the Wind(63)。与Joan Baez合唱With God On Our Side(63,64),It Ain't Me, Babe(64)。“拆高楼”,摇滚演绎Like a Rolling Stone(65)。
有爱情滋润的迪伦唱起歌来也笑得更甜了。